"Wholesome and joyful. The power of storytelling comes through in this new production."
-Chicago Tribune
This high-flying musical has been thrilling audiences of all ages for close to 70 years and is now being brought back to life in a new adaptation by celebrated playwright Larissa FastHorse, directed by Emmy Award-winner Lonny Price and choreography by Lorin Latarro. The adventure begins when PETER PAN and his mischievous fairy sidekick, Tinker Bell, visit the bedroom of the Darling children late one night. With a sprinkle of pixie dust and a few happy thoughts, the children are taken on a magical journey they will never forget. This extraordinary musical full of excitement and adventure features iconic and timeless songs including I’m Flying, I Gotta Crow, I Won’t Grow Up and Neverland. PETER PAN embraces the child in us all so go on a journey from the second star to the right and straight on ‘til morning – your entire family will be Hooked!
Know Before You Go: This show's special effects include; haze and fog.
Attendees Under 18: Children aged 5 and up with a ticket can attend performances at The Smith Center. All patrons must have their own ticket, regardless of age (no babies held in arms or children sitting on laps). Patrons aged 16 or older may attend the performance without an accompanying adult with their parent’s or guardian’s permission.
"Bring the kids...This is a very family-friendly show...Yet those of any age should find it sweet and satisfying"
Pioneer Press
Pop the champagne!
Join us in the 5th floor lobby pre-show and at intermission during all 2023-2024 Toyota Broadway Las Vegas® Series performances at The Smith Center for a pop-up champagne bar.
View Menu and PricingHighlights From The Smith Center Blog
The True Story Behind 'Peter Pan'
After Barrie first mentioned Peter Pan in a book in 1902, he perfected the character two years later in his full-length play, Peter Pan, or The Boy Who Wouldn’t Grow Up.
https://apnews.com/article/peter-pan-tour-ea273673ba590b80e535685c75dae7a3
A new, inclusive stage production of “Peter Pan” flies out on a U.S. tour this month, telling the classic tale of a boy who refuses to grow up — but without references that, ironically, have aged poorly. Gone are elements harmful to Native people, in are a few new songs and the setting of Victorian England has been scrapped in favor of modern America with a multicultural cast.