Betty Buckley in Concert with Christian Jacob
Subject to change at artist’s discretion.
Performance Information
Few performers command the stage quite like Betty Buckley. Known for her powerful voice, emotional depth and decades-long career across Broadway, film and television, Buckley continues to captivate audiences wherever she performs. Theatergoers will have the opportunity to experience her talent live—an event that is already generating excitement among fans of live performance and musical theater.
Betty will be performing several selections from her newly released album Enough, including Standards, American Songbook and Contemporary singer/songwriters. Accompanying Betty is the multi-Grammy nominated, world-class pianist Christian Jacob.
Betty Buckley is a legendary, multi-award-winning actress/singer whose career spans theater, film, television and concert halls around the world. She won a Tony Award for her performance as “Grizabella, the Glamour Cat,” in Andrew Lloyd Webber’s Cats and received her second Tony Award nomination for Best Actress in a musical for her performance as “Hesione” in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of “Norma Desmond” in the London production of Andrew Lloyd Webber’s Sunset Boulevard, which she repeated to more rave reviews on Broadway.
She most recently appeared in Los Angeles in 2019 when she headlined the national tour of Hello, Dolly! as “Dolly Levi,” and in 2016 she starred in Grey Gardens at the Ahmanson Theatre, for which she received an Ovation Award Nomination.
Her vast career spans major motion pictures, including Brian De Palma’s Carrie, M. Night Shyamalan’s Split and A24’s Eternity, as well as beloved television roles on Eight is Enough, Law & Order: SVU, OZ and Preacher.
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Explore Enough by Betty Buckley
Spotlight
“Buckley has the ability to pull the audience into her world...”
Andrew Poretz
BroadwayWorld
“Betty Buckley’s show is defined by masterful storytelling, emotional nakedness and a true connection between audience and artist.”
Andrew Gans
Playbill